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Conrad Botes

conrad botes



Conrad Botes was born in 1969 in the Western Cape. Part of his childhood was spent living in a Department of Water Affairs prefab house on the edge of the Theewaters Dam. His father was a teacher at the local school. Listening to Conrad Botes tell stories of the characters that peopled his childhood world one can see how he has been able to develop his eye for targeting the soft underbelly of Afrikaanerdom and by extension South African culture. It does not take much to imagine Botes out on Commando during the Boer War and it is this dichotomy between who he physically is and his mental space that makes his work so powerful.

Together with Anton Kannemeyer, Conrad Botes is one of the founders of Bitterkomix, a rude almost abusive, cutting publication which the two started as students to jolt the establishment and enliven the lives of their gleeful peers, and which is still published regularly. The Bitterkomix publications have grown to be something of a national institution. Botes proudly relates how one of their comics was the first publication to be banned in the free South Africa, and Claudette Schreuders tells how Kannemeyer and Botes were able to keep their supply of beer going through university with the sale of postcards that they made from Bittercomix.

Conrad Botes elaborates: "With the comics, we're dealing very specifically with a South African audience who know what we're referring to. Originally we wrote them in Afrikaans, so many of the references are to things in Afrikaans culture. The paintings I make are much more personal. I can explain them if I have to - but I'd much rather not. It is difficult to explain something that you are meant to feel. People can formulate their own ideas about the work, the viewers reaction is more important than my own explanation".

With his monoprints, silkscreens, lithographs and other work on paper, Conrad Botes indisputably proves his status as 'torchbearer of the Post-Pop movement in South Africa', according to Alet Voster from the AOP gallery.

With his icons of atavistic males and females, including the 'tortured soul' and the femme fatale, Botes mocks conventional notions of individualism and 'humanism', ranging from romantic love to self-flagellation. Botes has been portrayed in critical literature as the 'posthuman' artist par excellence (Ashraf Jamal, 2004). That said, he gives the sweet sentimentality, typical of many of Post-Pop's practitioners, a bittersweet edge in his latest work.

Botes uses Post-Pop's preference for 'sugary infantilism' to reflect on contemporary society. In such a society, religion is irreverent, violence is desirable, sadism institutionalised, and the individual triumphant in his existential crisis. Botes' work achieves an interesting fusion of the pastoral with contemporary realities and aesthetics: flowers are often wounds in his works and birds are harbingers of doom. Detached hands refer to creativity.

Conrad Botes's work is represented in both local and international collections including the Sanlam Collection, Michaelis Collection, Johannesburg Art Gallery, The Museum of Modern Art (MOMA) New York, Art Omi Collection (NYC) and the Francis Greenburger Collection (NYC). He has exhibited extensively throughout South Africa and internationally including exhibitions in Italy, The Netherlands, Belgium, Switzerland, England, Spain and Germany. In 2004 he was awarded the Vita-Art award and in 2006 he participated in the Havanna Biennale. In 2007 he participated in a exhibition that spans the history of Apartheid and Racism at the CCCB in Barcelona. In 2008 he was one of three South African artists to exhibit at the Third Guangzhou Triennial in China. Publications include various catalogues, international comic books and the Big Bad Bittercomix Handbook. In 2009 he was the festival artist at The Aardklop National Arts Festival in Potchefstroom, South Africa.To view more of Botes's work take a look at

Conrad Botes at the Michael Stevenson Gallery

Artists

New Editions

Lithographs 2005 -2009


Title: Beggar
Edition size: 30
Paper size:50.7 x 60 cm
Image size: 42 x 49.5cm
Medium: five colour lithograph
Price: R 3 700

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Title: Valley of Death
Edition size: 30
Paper size:50.7 x 62.5cm
Image size: 40.5 x 53cm
Medium: five colour lithograph
Price: R 3 700

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Title: Scavenging
Edition size: 30
Paper size: 50.7 x 51cm
Image size: 39 x 40 cm
Medium: five colour lithograph
Price: R 3 700

conrad botes, south african print makers, contemporary african art
Title: Protest
Edition size: 30
Paper size: 50.7 x 64 cm
Image size: 40.5 x 54.5cm
Medium: five colour lithograph
Price: R 3 700

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Title: Master's Voice
Edition size: 30
Paper size:47 x 58cm
Image size: 36.3 x 48cm
Medium: five colour lithograph
Price: R 3 700

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Title: Haunted
Edition size: 30
Paper size: 65.6 x 50.7cm
Image size: 56.4 x 42.2cm
Medium: four colour lithograph
Price: R 3 700

CONRAD BOTES, south african art, south african printmakers,
Title: Children's Story
Edition size: 30
Paper size: 75 x 106cm
Image size: 72 x101cmMedium: eight colour lithograph
Price: R 9 000


Detail: Children's Story


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Title: Cain and Abel
Edition size: 30
Paper size: 75 x 106cm
Image size: 72 x101cmMedium: eight colour lithograph
Price: R 9 000

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Detail: Cain and Abel


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Title: Foreign Policy
Edition size: 9
Paper size: 106 x 75cm
Image size: 96 x 66cm
Medium: Single colour chine colle lithograph
Price: SOLD OUT

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Title: Pink Burden
Edition size: 15
Paper size: 66 x 50cm
Image size: 45 x 38cm
Medium: seven colour lithograph
Price: R 4 050

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Title: Passion of the Witrot
Edition size: 15
Paper size: 66 x 50cm
Image size: 45 x 38cm
Medium: seven colour lithograph
Price: R 4 050

vita art winner 2004
Title: Mermaid
Edition size: 30
Paper size: 38 x 49cm
Medium: four colour lithograph
Price: R 2 850

conrad botes, joe dog
Title: Detective
Edition size: 30
Paper size: 38 x 49cm
Medium: four colour lithograph
Price: R 2 850

News from the studio where Conrad Botes made these prints

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